Across the globe, millions are being driven from their homes and millions more are migrating in the hope of finding a better, safer life. The term &lsquo;diaspora&rsquo; &ndash; derived from a Greek word meaning &lsquo;to disperse&rsquo; or &lsquo;to scatter&rsquo; &ndash; has been a default frame used to understand and signify these mass migrations. But lately, with the emergence of the term &lsquo;transnationalism&rsquo;, a new framing is calling this default into question. Recently, Dr. Bhau Daji Lad Mumbai City Museum, together with the Raza Foundation, sought to widen this conversation with the exhibition Beyond Transnationalism: The Legacy of Post Independent Art from South Asia that explored the many positions of artists of South Asian descent living in the United States. Curated by Dr. Arshiya Lokhandwala, the exhibition offered fresh insights into the ways in which migrants maintain ties to their places of origin, while simultaneously adapting to their new environments.<img src="http://magarticles.magzter.com/articles/3785/284267/5b1a67cfc2a0f/1528457152942.jpg"" owidth=314 oheight=291" style="height:556px; width:600px" />The 17 participating artists, of Indian, Pakistani and Afghani origin, now living in the United States, asserted new and complex aesthetic and geopolitical propositions that questioned, complicated and travelled-far-beyond conventional notions of home, nations and belonging. Starting from the standpoint that international migrations invariably produce cross-border connections, it then provided an alternative perspective, designed to explain variations in the strength, persistence and coverage of those cross-border ties. The exhibition unravelled the multiple subjectivities of each of the individual artists as palimpsests of varied lived experiences, interactions and relationships no longer unnecessarily tied to the complex issues of home, belonging and identity.<img src="http://magarticles.magzter.com/articles/3785/284267/5b1a67cfc2a0f/1528457152934.jpg"" owidth=303 oheight=204" style="height:404px; width:600px" />Artist Zarina Hashmi once famously said, &lsquo;I understood from a very early age that home is not necessarily a permanent place. It is an idea we carry with us wherever we go. We are our homes&rsquo;. She said it back in 1999 when she first presented her work Home is a Foreign Place &ndash; a collection of 36 woodblock prints, each of which presents a geometric, monochromatic design. To make these images, Zarina jotted down a list of Urdu words that she considered meaningful, and sent the list to a calligrapher in Pakistan, who wrote them in the traditional nastaliq script. Later, in her New York studio, Zarina developed what she has described as &lsquo;idea-images, which flowed from these words&rsquo;. The resultant images serve as a visual vocabulary to express feelings of home, memory and loss. Eighteen years later, the work still rang true when it was part of Beyond Transnationalism &ndash; making one wonder if Zarina somehow foresaw a reality that would sustain the relevance of her work, or was it an intuitive insight into the human condition that persists relentlessly.

Beyond Transnationalism: The Legacy Of Post Independent Art From South Asia

English

Spanish(español)

Bengali(বাঙালি)

Gujarati(ગુજરાતી)

Hindi(हिन्दी)

Malayalam(മലയാളം)

Tamil(தமிழ்)

Telugu(తెలుగు)

Arts Illustrated

A Sky Full Of Thoughts

We Are Looking into It

Cracked Wide Open

In Search of a Witness

Where the Shadows Speak

Bodies in Motion

Faces in the Water

A Meeting at the Threshold

The Imperfect Layout To The Imperfect Mystery

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