STAGE 1: I start drawing the outline of the overall shape with a light touch. I try to represent the main shapes as simply as possible and focus on the angles and the size relationships between shapes and features. At this point, I mostly use long, straight lines to get the right angles and use a vine charcoal to make it easy to erase any redundant lines as needed. I gradually move from larger shapes to smaller areas.
Many of my favorite works have been from those references I took during a model's break time, showing their natural postures and expressions. This drawing is from one such reference. Before I begin, I generate an ideal image of the subject in my head, which diverges in various ways from what is captured in the reference. I work on a thumbnail sketch to ensure that what I imagined will work in the actual drawing. During this process, I also choose the right material for the work based on the image.
This story is from the June - July 2022 edition of International Artist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the June - July 2022 edition of International Artist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Fresh Eyes
Anna Rose Bain discusses the passions of being an artist and helping students transform their own work
The Next Level
Jacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects
Wild Spirit
Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom
The Bridge Between
Watercolorist Thomas Wells Schaller delves into the nuances of observation and imagination
The Color Continuum
Catherine Hearding demonstrates how she utilizes color to enhance the mood of her landscapes
Points of Precision
A strong focal point and attention to detail make Nicola Jane's artwork jump off the page
BE YOURSELF
Harley Brown's fascinating things no one else will tell you
JEFFREY T. LARSON
Expertly Putting the Pieces Together
Hot-Blooded
Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds
Adam Clague Incandescence
Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within