THE ART OF THE PORTRAIT
My preference is always to work from life— I find it a much richer experience. There are subtle nuances of emotion, energy and thought that are simply not present in the studio when painting from photograph. Because portraiture often requires working from a photograph, I find it imperative to schedule a weekly model in the studio to keep my eye fresh. Whenever I paint, I invite three of my favorite guests: Ludwig van Beethoven, Wolfgang Amadeus Mozart and Johann Sebastian Bach—the muses dance together. Mine is a direct painting style, laying wet into wet. Sometimes I like to do a highly finished painting and sometimes I enjoy painting alla prima, depending on the subject matter. This alla prima work was done entirely from life in three consecutive days of four-hour sittings. David has modeled for me for years and is himself an actor. He gives a great sense of drama to his poses and always comes prepared with a selection of costumes and ideas. In this sitting, I envisioned him as a sort of working man’s hero.
This story is from the June/July 2018 edition of International Artist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the June/July 2018 edition of International Artist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Fresh Eyes
Anna Rose Bain discusses the passions of being an artist and helping students transform their own work
The Next Level
Jacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects
Wild Spirit
Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom
The Bridge Between
Watercolorist Thomas Wells Schaller delves into the nuances of observation and imagination
The Color Continuum
Catherine Hearding demonstrates how she utilizes color to enhance the mood of her landscapes
Points of Precision
A strong focal point and attention to detail make Nicola Jane's artwork jump off the page
BE YOURSELF
Harley Brown's fascinating things no one else will tell you
JEFFREY T. LARSON
Expertly Putting the Pieces Together
Hot-Blooded
Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds
Adam Clague Incandescence
Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within