An exhibition in Naples examines the timeless power of Greek myths, which are as vibrant today as when the Roman poet Ovid penned his Metamorphoses 2000 years ago.
Metamorphoses was the original title of an exhibition now called Amori divini (The Loves of the Gods) on show at the National Archaeological Museum in Naples but, although the title was changed, references to the Roman poet Ovid’s famous Classical compilation of mythological stories of love and seduction are many. As well as reading Ovid, visitors to this exhibition might also like to look at The Marriage of Cadmus and Harmony (1988) by one of Italy’s leading literary figures, Roberto Calasso (b 1941), as it will help them to make sense of the complex dynamics of action and reaction, cause and effect, that characterise the erotic activities of the gods, demi-gods and heroes of Greek mythology. For, like Ovid, Calasso is fascinated by the changes of shape and the shift of status that occur among gods and mortals when they are attracted to each other and mate. His premise is that myths are a living force today just as much as in the past.
In his re-telling of the Greek myths, crude physical desire is the driving force behind their most significant actions. He makes it clear why the king of the gods, Zeus, was attracted to beautiful young girls like Danae, Europa and Leda, and boys, such as Ganymede, all of whom he seduced under various guises. Like their male counterparts, both the goddesses and women in the stories are equally possessed by passion, and they pursue the objects of their desire with reckless abandon. So seduction and, very often, abduction and rape are recurrent themes that trigger each mythical episode, which can be found in various local and chronological variants.
However, unlike Ovid, Calasso often provides several different versions of each myth, using many diverse existing sources and their continuous, complicated intermingling, so that we can understand the layered and complex hidden meanings underlying each episode and see how they are related.
This story is from the September/October 2017 Volume 28 Number 5 edition of Minerva.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the September/October 2017 Volume 28 Number 5 edition of Minerva.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
ROMAN DISCOVERIES AT ANCIENT AUGUSTODUNUM
More than 230 graves have been uncovered at a necropolis in the French city of Autun, revealing a diverse mix in burial practices over a period of nearly 200 years, as well as luxury grave goods from the 3rd and 4th centuries AD that highlight the wealth of some of its ancient inhabitants.
SHAPING THE WORLD: SCULPTURE FROM PREHISTORY TO NOW
The sculptor Antony Gormley and the art historian and critic Martin Gayford have been talking about sculpture with each other for 20 years.
Amelia Edwards (1831-1892)
“I am essentially a worker, and a hard worker, and this I have been since my early girlhood.”
THE GREAT BEYOND
The ancient Greeks thought much about the dead – how their remains should be disposed of, how their spirits might be summoned, how malignant they could be if unavenged. Classicist David Stuttard brings us face to face with the Greek dead.
INTO THE VALLEY OF THE QUEENS
The Great Royal Wife of Ramesses II, Nefertari, was buried in one of the most spectacular tombs of Egypt’s Valley of the Queens. Well-educated and well-travelled, Nefertari played a crucial part in the political life of the pharaoh, and her importance was reflected through her magnificently decorated tomb. Lucia Marchini speaks to Jennifer Casler Price to find out more.
DEIR EL-BAHRI, 1894
Tensions were already high among the archaeologists, surveyors, and artists of the Archaeological Survey of Egypt in 1891 when an eventful dispute arose on Christmas Eve.
PUSHING BOUNDARIES
When the Etruscans expanded to the south and the vast plains of Campania, they found a land of cultural connections and confrontations, as luxurious grave goods found across the region reveal. An exhibition at the National Archaeological Museum in Naples sheds light on these ancient Italians at the frontier. Paolo Giulierini, director of the museum, is our guide.
CUZCO 'CENTRE AND HEAD OF ALL THE LAND'
Cuzco was the heart of the vast Inca empire, but all changed in the 16th century when the capital was conquered by Spanish invaders. Michael J Schreffler investigates the Inca city, and how it went from the centre of one empire to the periphery of another.
A STUDY IN PURPLE
A tiny speck of purple paint from the 2nd century AD may yield clues to how ancient artists created the extraordinary portrait panels that accompanied mummified bodies into the afterlife.
Rome In The 8th Century: A History In Art
John Osborne CAMBRIDGE UNIVERSITY PRESS, £75 HARDBACK - ISBN 978-1108834582