MONUMENTAL MEXICO
Minerva|May/June 2020
The Olmecs are best known as the creators of Mexico’s first civilisation, and for making some of the country’s most extraordinary works of art. Claudia Zehrt surveys a major new exhibition that aims to bring their history and culture to a European audience, and includes many fascinating pieces that have never left Mexico before.
Claudia Zehrt
MONUMENTAL MEXICO
Many visitors to Mexico travel to see the famous archaeological sites in the country’s central and southern regions. They explore the temple-pyramids of the Maya, the grandeur of the ancient city of Teotihuacan, or the remains of the Aztec capital Tenochtitlan (underneath Mexico City). Far fewer tourists make it to the archaeological sites and museums along Mexico’s Gulf Coast – a region mainly encompassed by the modern-day states of Veracruz and Tabasco. Here, those who do undertake the journey find themselves in a subtropical wetland, criss-crossed by many rivers and creeks, mostly made up of floodplains along the coast and bounded by the mountains of the eastern Sierra Madre to the west. It is in this fertile area that we see the earliest beginnings of complex civilisation in Mesoamerica – the historical region that extends from central Mexico through Belize, Guatemala, El Salvador, Honduras, Nicaragua, and northern Costa Rica. And it is here on the Gulf Coast that we find the first examples of many of the traits and motifs that would in subsequent millennia become defining characteristics of Mesoamerican art and iconography.

For those unable to make the journey to Mexico’s Gulf Coast, this year brings good news. A major new exhibition, featuring some of the most beautiful examples of art and archaeology from the area, is scheduled to open at the musée du quai Branly – Jacques Chirac in Paris in October 2020. Featuring many pieces that have never before left Mexico, the show – entitled The Olmecs and the cultures of the Gulf of Mexico – aims to bring the history of the region closer to a European audience, providing a fascinating introduction to its art and an insight into the shared cosmovisión (‘world view’) of its people.

This story is from the May/June 2020 edition of Minerva.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the May/June 2020 edition of Minerva.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM MINERVAView All
ROMAN DISCOVERIES AT ANCIENT AUGUSTODUNUM
Minerva

ROMAN DISCOVERIES AT ANCIENT AUGUSTODUNUM

More than 230 graves have been uncovered at a necropolis in the French city of Autun, revealing a diverse mix in burial practices over a period of nearly 200 years, as well as luxury grave goods from the 3rd and 4th centuries AD that highlight the wealth of some of its ancient inhabitants.

time-read
2 mins  |
January/February 2021
SHAPING THE WORLD: SCULPTURE FROM PREHISTORY TO NOW
Minerva

SHAPING THE WORLD: SCULPTURE FROM PREHISTORY TO NOW

The sculptor Antony Gormley and the art historian and critic Martin Gayford have been talking about sculpture with each other for 20 years.

time-read
3 mins  |
January/February 2021
Amelia Edwards (1831-1892)
Minerva

Amelia Edwards (1831-1892)

“I am essentially a worker, and a hard worker, and this I have been since my early girlhood.”

time-read
2 mins  |
January/February 2021
THE GREAT BEYOND
Minerva

THE GREAT BEYOND

The ancient Greeks thought much about the dead – how their remains should be disposed of, how their spirits might be summoned, how malignant they could be if unavenged. Classicist David Stuttard brings us face to face with the Greek dead.

time-read
10+ mins  |
January/February 2021
INTO THE VALLEY OF THE QUEENS
Minerva

INTO THE VALLEY OF THE QUEENS

The Great Royal Wife of Ramesses II, Nefertari, was buried in one of the most spectacular tombs of Egypt’s Valley of the Queens. Well-educated and well-travelled, Nefertari played a crucial part in the political life of the pharaoh, and her importance was reflected through her magnificently decorated tomb. Lucia Marchini speaks to Jennifer Casler Price to find out more.

time-read
10 mins  |
January/February 2021
DEIR EL-BAHRI, 1894
Minerva

DEIR EL-BAHRI, 1894

Tensions were already high among the archaeologists, surveyors, and artists of the Archaeological Survey of Egypt in 1891 when an eventful dispute arose on Christmas Eve.

time-read
2 mins  |
January/February 2021
PUSHING BOUNDARIES
Minerva

PUSHING BOUNDARIES

When the Etruscans expanded to the south and the vast plains of Campania, they found a land of cultural connections and confrontations, as luxurious grave goods found across the region reveal. An exhibition at the National Archaeological Museum in Naples sheds light on these ancient Italians at the frontier. Paolo Giulierini, director of the museum, is our guide.

time-read
10+ mins  |
January/February 2021
CUZCO 'CENTRE AND HEAD OF ALL THE LAND'
Minerva

CUZCO 'CENTRE AND HEAD OF ALL THE LAND'

Cuzco was the heart of the vast Inca empire, but all changed in the 16th century when the capital was conquered by Spanish invaders. Michael J Schreffler investigates the Inca city, and how it went from the centre of one empire to the periphery of another.

time-read
9 mins  |
January/February 2021
A STUDY IN PURPLE
Minerva

A STUDY IN PURPLE

A tiny speck of purple paint from the 2nd century AD may yield clues to how ancient artists created the extraordinary portrait panels that accompanied mummified bodies into the afterlife.

time-read
3 mins  |
January/February 2021
Rome In The 8th Century: A History In Art
Minerva

Rome In The 8th Century: A History In Art

John Osborne CAMBRIDGE UNIVERSITY PRESS, £75 HARDBACK - ISBN 978-1108834582

time-read
3 mins  |
November/December 2020