The Royal Treatment
Professional Photography|Issue 22

Press photographer and agency head Joe Sene discusses the challenge of capturing iconic news moments, and how switching to Olympus has been a true game changer for him

The Royal Treatment

There are many high-levels roles you might pursue in the photography industry. Working as a picture editor on a prestigious newspaper. Running your own successful picture agency. And of course, working as a photographer itself. A little unusually, Joe Sene has done all three... in exactly that order.

He began his career two decades ago, as a runner for the Sunday Times picture desk. He soon landed picture editor roles for The Sun and The Times, then OK. “It was during the magazine’s heyday, with covers like the Beckhams’ wedding, and circulation exploding,” he recalls. Two and a half years later, he moved into management, running first Big Pictures and later, Splash News. Then five years ago, the time came to launch his own agency, Vantage News.

But while most of his time has been spent buying and selling pictures, he’s also had a keen interest in getting hands-on with the camera himself.

“As I’ve gone on through my career, I’ve got more and more interested in taking pictures,” he explains. “And so now my agency’s established, and my wife’s very involved in its running, I’ve been able to step in and do more of the photography myself. I’m now taking as many pictures as I’m selling; a nice position to be in.”

This story is from the Issue 22 edition of Professional Photography.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the Issue 22 edition of Professional Photography.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM PROFESSIONAL PHOTOGRAPHYView All
Beauty And The Banal
Professional Photography

Beauty And The Banal

Head of photographs Phil Prodger explains how William Eggleston used colour experimentally as the National Portrait Gallery opens the largest display of his portrait photography ever seen.

time-read
5 mins  |
Issue 11, August 2016
The Art Of The Incomplete
Professional Photography

The Art Of The Incomplete

Amélie Labourdette’s work documents eerie, grey skeletons of unfinished buildings. Her images are a comment on how we inhabit the world, but they’ve also become pieces of art in their own right – and a hint at what might happen to us all in the future.

time-read
3 mins  |
Issue 11, August 2016
Something Really Wonderful Is Going On
Professional Photography

Something Really Wonderful Is Going On

A seagull is suspended, sunlit and spread-winged against a lowering sky. Men unknown to each other march together as if advancing on an unseen enemy. A woman with polished shoes searches through a large, pale handbag. Young girls in matching dresses look to be fleeing impending disaster. Eamonn Doyle shows us fragments of moments in a world of uncertainty and human frailty, with a unique and potentially devastating voice. A relative newcomer to the world of photobooks and photography galleries, he has become a powerful force in the art photography world since 2012.

time-read
6 mins  |
March/April 2017
Share Your Photography, Support A Charity
Professional Photography

Share Your Photography, Support A Charity

A new photography competition for positive social change.

time-read
2 mins  |
March/April 2017
Modern-day Daguerreotypes
Professional Photography

Modern-day Daguerreotypes

Jerry Spagnoli has resurrected one of the oldest mediums in photography and adapted it to suit a contemporary clientele. Now museums are starting to pay attention

time-read
6 mins  |
Issue 12, September 2016
“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”
Professional Photography

“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”

“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”

time-read
2 mins  |
November/December 2016
“Everything about his body language just reeked of Capote”
Professional Photography

“Everything about his body language just reeked of Capote”

Richard Corman recalls how he summoned the spirit of Avedon to shoot Philip Seymour Hoffman for the Capote poster

time-read
4 mins  |
November/December 2016
FujiFilm X-T2
Professional Photography

FujiFilm X-T2

The Fuji X-T1 brought real class and style to the mirrorless camera market, and now the X-T2 adds speed and resolution.

time-read
5 mins  |
November/December 2016
Stephen Shore's Non-Peak Moments
Professional Photography

Stephen Shore's Non-Peak Moments

It is exactly one week after the election of Donald Trump as the 45th President of the United States of America. And from his New York home, Stephen Shore is looking down his computer at me, via the Skype feed that links us, deliberating over the words to express his reaction to the news. “This is going to be a very slow recovery, I think. All over the world it’s been a shock.” The sprightly, silver-haired Shore, who turns 70 this year, pauses for a moment and then neatly diverts the political headline to a subject still relevant to the discussion but of greater concern to him personally.

time-read
10+ mins  |
January/February 2017
Carolina Mizrahi
Professional Photography

Carolina Mizrahi

Meet the Brazilian photographer whose work draws on her fashion background and questions how women are represented in today’s society.

time-read
3 mins  |
January/February 2017