Needs More Salt
Bloomberg Businessweek|March 19, 2018

Jukebox musicals may be the hottest thing on Broadway, but Escape to Margaritaville is a bland ode to wastin’ away.

Chris Rovzar
Needs More Salt

For the show’s investors, it may not matter that Escape to Margaritaville isn’t very good. It blends the greatest hits of Jimmy Buffett, a set of cheery cardboard characters, and a simple—if occasionally demented—plot into a concoction syrupy enough to taste sort of like a Broadway show. But like the worst versions of its namesake beverage, it’s too watered-down to be much fun.

The production is the first in a coming onslaught of shows gambling on the songs of pop acts: In 2018, Broadway is set to stage music from the likes of Cher, the Go-Gos, and Donna Summer. The producers behind each hope to replicate the success of Mamma Mia!—which grossed $625 million in New York and was spun into the most successful movie musical ever—and Jersey Boys, which has made more than $2 billion worldwide.

This story is from the March 19, 2018 edition of Bloomberg Businessweek.

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This story is from the March 19, 2018 edition of Bloomberg Businessweek.

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