It is no longer unusual to encounter a song by a mainstream country star that requires an “explicit lyrics” tag. But it is unusual to encounter one that requires a spoiler alert. The song, if you would like to encounter it unspoiled, is called “the mockingbird & THE CROW,” and it appears at the midpoint of an album with the same title, which was recently released by a singer and songwriter from Philadelphia, Mississippi, named Michael Hardy, who has dropped his first name and capitalized all the letters in his last one. The song starts, as so many country songs do, by conjuring small-town life, and it culminates, at first, in a wry chorus that’s surprisingly forthright about the nature of country stardom: “I’m a mockingbird/ Singin’ songs that sound like other songs you’ve heard.”
HARDY made his mark as a high-concept craftsman, finding new ways to give country listeners what they wanted. His breakthrough single, “ONE BEER,” from 2019, began with a startling evocation of kids worrying about an unexpected pregnancy (“Seventeen in a small town, weak knees in a CVS”), but it turned out to be both a drinking song and an ode to settling down: “Ain’t it funny what one beer can turn into?” And he helped write Blake Shelton’s No. 1 country hit “God’s Country,” which converted the treacly term into a truculent declaration of regional pride. “The Devil went down to Georgia, but he didn’t stick around— this is God’s country,” Shelton snarled.
This story is from the March 13, 2023 edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the March 13, 2023 edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”