Soliciting pedestrians in the MaS tongé neighborhood of Brussels, Kehinde Wiley, forty-five, looked more like a sidewalk canvasser than he did a world-famous artist. He sidled up to strangers in an orange hoodie and lime-green Air Jordans, extending a hand and flashing a gap-toothed grin. In nearly fluent French, he explained that he wanted to paint them, and offered to pay three hundred euros if they came in for a photo shoot the following afternoon. Most passersby ignored him or gave excuses: jobs, parking meters, and even a preference for being pictured exclusively from behind. For those who stopped, Wiley produced an exhibition catalogue, flipping through pages of classically posed portraits with models who were Black like them.
It was early April, still freezing in the medieval city that Charles Baudelaire thought full of everything S/and, everything sad, flavorless, asleep.” On the Chaussée de Wavre, a busy street lined with ads for cheap wire transfers and 100% Brazilian Hair,” many responded warily to the artist’s invitation. You did these?” some asked. Others wanted to know if they could dress as they pleased. It’s your portrait,” Wiley assured one skeptic. Oh, is it?” the man replied. Another prospect not only refused but ejected Wiley from a multistory complex of barbershops and wig emporiums, jabbing him in the chest with an indignant forefinger as he warned that it was no place for an artist.
Wiley took a drag from his cigarette—Benson Hedges, the brand he’s smoked since high school—and then waved his assistant, cameraman, and studio manager down the block. Rejection keeps him humble, the artist insisted. But he also felt certain that those who walked past would eventually see his work and have a dif ferent reaction: Holy shit, I missed out on that?”
This story is from the January 02 - 09, 2023 (Double Issue) edition of The New Yorker.
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This story is from the January 02 - 09, 2023 (Double Issue) edition of The New Yorker.
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ANTIHERO
“The Boys,” on Prime Video.
HOW THE WEST WAS LONG
“Horizon: An American Saga—Chapter 1.”
WHEEL OF FORTUNE
Taffy Brodesser-Akner weighs the cost of generational wealth.
TWICE-TOLD TALES
The seditious writers who unravel their own stories.
CASTING A LINE
The hard-bitten genius of Norman Maclean.
TEARDROPS ON MY GUITAR
Four years ago, when Ivan Cornejo was a junior in high school, he had a meeting with his family to announce that he was dropping out. His parents were alarmed, of course, but his older sister, Pamela, had a more sympathetic reaction, because she also happened to be his manager, and she knew that he wasn’t bluffing when he said that he had to focus on his career.
THE HADAL ZONE
Arwen Rasmont waits hours at Keflavík International for his flight; they call it as he leaves the men’s room. He walks past the mirrored wall and is assaulted, as usual, by his dead father’s handsome image: high-arched nose, yellow hair.
OPENING THEORY
Ivan is standing on his own in the corner while the men from the chess club move the chairs and tables around.
THE LAST RAVE
Remembering a summer of estrangement.
КАНО
I’ve dated all kinds of women in my life,” the man said, “but I have to say I’ve never seen one as ugly as you.”