The jumps season will soon be getting properly underway. Fixtures are scheduled all year, but it’s in September that the higher-quality runners restart their training, fans of the jumps pore over lists of horses to follow and trainers get to polish their artful, non-committal, gnomic pronouncements.
As I write in Gold Cup Prattle, a hymn to the language of racing:
We’re very happy with our horse
Serious contender
Makes plenty of appeal
Could play a big part
Very hopeful.
Highly regarded
Fancied to go well
He’s looking in good order
He’s been showing all the right signs at home
I’m expecting a big run
Hopeful, yes, very hopeful.
The difference between the jumps and the flat, according to top jockey Tom Scudamore, ‘is akin to [that between] Rugby Union and Rugby League; they’re completely different sports, different techniques, different ways of training’.
There’s a snobbery, too, towards the jumps from its richer cousin. I went to Newmarket one autumn and tried to go to the National Horse Racing Museum, which was manned but shut. It closes every year, they said, ‘when racing stops’.
I muttered that there was a full jump-racing calendar that very day, but I was talking the wrong code. To their credit, they let me in anyway.
This story is from the October 2020 edition of The Oldie Magazine.
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This story is from the October 2020 edition of The Oldie Magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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