IN THE WISTERIA-COVERED GARDEN OF A LONDON PUB, Phoebe Waller-Bridge comes to my rescue. “This is what we’re for, to zip each other’s jumpsuits up,” she says. She’s offering to extricate me from the one-piece outfit I bought on impulse, inspired by the silky jumpsuit she made famous in Fleabag. I hadn’t taken into account the zipper down the back of my version and the impossibility of getting it down every time I have to pee, but Waller-Bridge is two steps ahead. “If you need me to come with you…” she says, nodding toward the loo with impish kindness.
Suddenly, I am on the other side of the fourth wall—the one that Waller-Bridge so archly shatters in Fleabag when she speaks directly through the screen, using the viewer as a diversion from her sexual misadventures, her café business, and her fumbling familial interactions. There’s no television screen between us now. She can actually see me. The show’s mastermind is wearing a red sweater and jeans, her short brown hair nipped back with hairpins. She’s chatting in a voice that’s familiar and confiding, but then it’s part of her genius that so many fans already feel like she knows us in all of our awkward, oddball singularity.
This story is from the July - August 2023 edition of Vanity Fair US.
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This story is from the July - August 2023 edition of Vanity Fair US.
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