Three A-list artists share their tips to give your ZBrush skills that Hollywood finish.
01 SET WORK SCREEN
A very basic but important thing to do is set your work screen in a way that lets you utilise it fully. Go to Document in the toolbar and set the size of your document monitor resolution to make sure there are no unused areas. You can also change the ZBrush screen from grey to gradient black for a consistent background screen. Thirdly, I would suggest that you change the material from MatCap Red to MatCap Grey or basic grey material. Gaurav Kumar
02 CUSTOMISE YOUR UI
This is a very effective way to increase the speed of your work. Go to Preferences in your toolbar, select Config>Enable Customize. By pressing Ctrl+Alt you can move any button, pallet or brush onto your ZBrush interface. Once you’ve added your most-used brushes and options to your UI go back to Config and click Save UI and Store Config. This will help to make your creative process easier and faster. Gaurav Kumar
03 USE THE TIMELINE
This is a great way to move quickly from one angle to another. When working on a large model it becomes difficult to see it from all sides, so you can go to Movie in the toolbar and under Timeline turn on Show. This will put the timeline camera on the top of the screen, so you can position your model and click on the timeline to add a keyframe. This can be done in any position that you may need to see again or work on quickly, and you can move through them quickly using the arrow keys. Gaurav Kumar
04 CREATE BASIC FORMS IN LOW SUBDIVISION
Create most of the shapes of the model in the lowest subdivision so that the forms can be made correctly with the least poly. It’s much easier to manage and edit a lighter mesh than a heavy one. Always try to sculpt in the same flow of muscles or skin to make the model look real. Gaurav Kumar
05 TRANSPOSE SMART MASKING
This story is from the November 2018 edition of 3D World UK.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the November 2018 edition of 3D World UK.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Nvidia GeForce RTX 4080 Super Founders Edition
On the surface, the GeForce RTX 4080 Super is barely any different from the vanilla GeForce RTX 4080 that was launched in 2022.
MCU VFX moments
Pros choose their favourite CG shots from the Marvel Cinematic Universe
Nosing around on Fallout
We sniff out the story of how FutureWorks brought The Ghoul to life with the creation of his iconic noseless face
DISCOVER RED GIANT GEO'S HANDY TOOLS
Heather Sterland introduces one of the newest additions to Maxon's suite of Red Giant VFX plugins with an atmospheric lunar creation
BUILD AND ANIMATE A FUN-FILLED ROBOT
Expand your horizons with Julio Benavides, who reveals his workflow for creating a charming hard-surface character
DESIGN STRIKING SCULPTS AT SPEED
Learn how to build 3D characters that balance visual quality and efficient workflow with pro advice from Oh Holy Mary
CREATE A CANYON ENVIRONMENT
Build a stunning desert setting with an expert walkthrough from Romain Eboli, who uses high-quality Quixel assets
TURN A 2D CONCEPT INTO AN INCREDIBLE 3D-PRINTED FIGURE
Concept artist Emily Chapman shares her process for sculpting, printing and painting an outstanding model to put on display
Goodbye SAIGON
Trevor Hogg gets held captive by multiple versions of Robert Downey Jr.while uncovering the visual effects of HBO's spy series The Sympathizer
IMPRESSIONISTIC REALISM
Trevor Hogg learns how the artisan aesthetic came to be for The Wild Robot