How To Make A Toon For A Less Dough
The Hollywood Reporter|May 31, 2017

Outsourced to Canada with a budget of just $38 million, DreamWorks Animation’s Captain Underpants is a radical experiment in low-cost studio animation. Is it the future?

Carolyn Giardina
How To Make A Toon For A Less Dough

Of the top 50 biggest films  from the last 15 years, 12 have been animated — nearly a quarter — including billion-dollar blockbusters Frozen, Minions and Toy Story 3. But despite the lack of such hefty budget items as actor profit participation deals and far-flung physical production, CGI cartoon features come with their own steep production price tags.

Even at Illumination Entertainment, the Comcast/ NBCUniversal studio behind the Minions movies, boss Chris Meledandri is known for keeping animation costs in check. The studio’s latest release, Sing, cost $75 million to produce at the company’s Paris-based facility, Illumination Mac Guff. Still, that total is a lot less than for recent pictures produced by DreamWorks Animation (acquired by Comcast/ NBCUniversal in 2016): Hit films Trolls and The Boss Baby each had reported budgets of $125 million, while Kung Fu Panda 3 and How to Train Your Dragon 2 each cost $145 million. Films from rival Pixar Animation Studios can cost up to $200 million.

But when the latest film from DreamWorks Animation, Captain Underpants: The First Epic Movie, bows June 2, it will be a bold experiment in a new studio model. THR has learned that the movie, which is based on the children’s book series by Dav Pilkey and follows two fourth graders (voiced by Kevin Hart and Thomas Middleditch) who accidentally turn their mean school principal (Ed Helms) into a bumbling superhero, was made for just $38 million.

This story is from the May 31, 2017 edition of The Hollywood Reporter.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the May 31, 2017 edition of The Hollywood Reporter.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM THE HOLLYWOOD REPORTERView All
Michael Ovitz, Me And The Truce That Never Was
The Hollywood Reporter

Michael Ovitz, Me And The Truce That Never Was

As a new book puts the focus back on CAA’s origins, Kim Masters recalls how the agent’s fit at The Palm and her follow-up kicked off one of Hollywood’s prickliest pas de deux.

time-read
10+ mins  |
September 2-9, 2016 Double Issue
Songs Of Innocence And Experience
The Hollywood Reporter

Songs Of Innocence And Experience

How 5 writers found the music to convey their films’ tragedy, injustice, patriotism and loveA Wonderful Example of ‘What the World Loves About America’

time-read
3 mins  |
Awards Playbook Special 2 - Nov. 2016
Execs Can Boycott The Press Tour — But Not The Pressing Questions
The Hollywood Reporter

Execs Can Boycott The Press Tour — But Not The Pressing Questions

With top programmers passing on January’s TV Critics Association panels, THR poses (and answers) the five toughest quandaries of the unfolding season

time-read
4 mins  |
December 16, 2016
Making Of Kubo And The Two Strings
The Hollywood Reporter

Making Of Kubo And The Two Strings

Old-fashioned stop-motion meets new-fashioned 3D printing in this directorial debut by the head of Portland, Ore.-based Laika studios — and THR was on the set.

time-read
5 mins  |
Awards Playbook Dec. 2016
A World Of Pioneering Talents
The Hollywood Reporter

A World Of Pioneering Talents

Along with best picture contender Elle these 13 films may have the momentum to make the Oscar shortlist (still to be announced as this issue went to press)

time-read
6 mins  |
Essential Awards Playbook, Dec. 2016
Iain Canning & Emile Sherman
The Hollywood Reporter

Iain Canning & Emile Sherman

The Brit-Aussie team behind Lion talk winning an Oscar for The King’s Speech, working with Harvey Weinstein and the upcoming biblical epic Mary Magdalene

time-read
6 mins  |
December 9, 2016
The Hollywood Reporter

Producer Of The Year Charles Roven

He reveals what really happened between George Clooney and David O. Russell, witnessed Richard Pryor behave (very) badly in church and fired an actor for repeatedly shouting ‘cut’ on a set. All in a day’s work for a Hollywood slugger with $2B in 2016 box office.

time-read
10 mins  |
December 23, 2016 - January 06, 2017
No Happy Endings Required
The Hollywood Reporter

No Happy Endings Required

The death of satire, when to kill a scene and how to write a Trump movie (‘Let’s hope it’s not a tragedy’).

time-read
10+ mins  |
December 23, 2016 - January 06, 2017
Don't Stop, Won't Stop Believing
The Hollywood Reporter

Don't Stop, Won't Stop Believing

Hulu’s The Path centers on a fringe religious movement, Meyerism, with Emmy winner Aaron Paul as a disruptive doubter — but during a visit from THR, cast, crew and showrunners all seem in perfect harmony.

time-read
2 mins  |
Awards Playbook Special 2 - Nov. 2016
Ryan Murphy: American Success Story
The Hollywood Reporter

Ryan Murphy: American Success Story

The prolific producer opens up about the future of American Horror Story, his plans for more Broadway and the real reason an American Crime Story season centered on Hurricane Katrina won’t be quite as depressing as it sounds. 

time-read
7 mins  |
August 2016 Emmy 3