Francois Knoetze’s New Body of Work Draws on a Variety of Notions of Performance and Participation, but in Wholly New Territory
Growing up in Grahamstown in the Eastern Cape, Francois Knoetze was first introduced to the world of theatre, art and music through the annual National Arts Festival (NAF). Throughout university, he developed his own artistic practice in a multidisciplinary direction, working fluidly between sculpture, video, performance and digital art. His interest in the relationship between material and social histories has led to work that explores the objectification of people through the personification of discarded objects.
This story is from the July 2017 edition of House and Leisure.
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This story is from the July 2017 edition of House and Leisure.
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