Ashraful Arefin explains what moves him to capture small-scale scenes full of light and colour
In recent years, miniature photography has become a popular sub-genre of macro imaging. The ability to completely build a scene from the ground up to your ideal specifications holds a unique and creative appeal. Ashraful Arefin (ashrafularefin. com) is an expert in shooting realistic and beautiful images of even the most mundane objects. Here he describes his creative process.
What got you started in photography?
I have always been interested in art and wanted to be an artist from my childhood. I got my first camera when I was a second year student of Fine Art. I bought it to take some good-quality photos of my artworks. Later I got frustrated with my drawings, because I was constantly looking for perfection. I took a break from my usual work and started to take photos.
Eventually I fell in love with creating images using light, and started to see things differently. I have never enjoyed any other media as much as I do photography – it totally opened my eyes and heart. I got to realise that you don’t always have to be perfect to create something beautiful. That peace of mind and joy inspired me to take it forward.
What are your favourite subjects to photograph, and why?
Flowers are definitely one of my favourite subjects to shoot. They are so versatile and there are so many opportunities to play with colours and tell beautiful stories.
I also love to shoot anything that’s a bit old and beaten – for example old lanterns, used toy cars or paper boats – something that not many people will find beautiful. For me, these objects already have a story, a past. It fascinates me that I can create a certain mood or story without even using people. I mostly tend to shoot simple small objects and try to make them look whimsical.
What are you trying to show in your images – what stories do you try to tell?
This story is from the Issue 204 edition of Digital Photographer.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the Issue 204 edition of Digital Photographer.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents