WHEN ASHLEY JAMES joined the Guggenheim as a curator in 2019, she began thinking about the concept of being seen, a veritable mantra in the Trump years for people from marginalized communities. She thought specifically of Lorna Simpson's 2018 exhibition "Darkening," in which the people in her paintings were clouded by deep, saturated blues. "Freedom is such a lofty goal," James tells me, but there is a certain lowercase-p power to be found in that evasion."
This story is from the October 23 - November 5, 2023 edition of New York magazine.
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This story is from the October 23 - November 5, 2023 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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