One of the first and most significant film festivals of Asia, IFFI is organized by the Union Ministry of Information and Broadcasting and Goa Government’s Entertainment Society of Goa (ESG). The latest edition that concluded in November 2019 marked the 50th edition of the festival that started in 1952 with the patronage of India’s first Prime Minister Pt. Jawaharlal Nehru. It was only since 2004 that Goa was declared the permanent venue of the festival due to continuous efforts of Goa’s popular leader and former Chief Minister, late Shri Manohar Parrikar. Of the films screened at IFFI 2019, three touched upon different aspects of the environment — factors, issues and the people closest to it, that is, indigenous groups. Award-winning Assamese filmmaker Manju Borah’s In The Land of Poison Women focuses on aboriginal people in a remote part of Arunachal Pradesh. The idea was to showcase the lives of the aboriginal people of Zemithang, locally known as Panchen, the easternmost part of the country on the Indo-China border surrounded by breathtakingly tall mountains. Pangchen in local dialect means a place where no sin is committed. True to its meaning, the residents are strictly vegetarian and don’t even eat fish in the adjacent River Nyamjang Chu, do not hunt, and follow Buddhism. The zone is eco-sensitive and rich in biodiversity complete with deer, wild boars, and myriad breeds of birds. The film revolves around the lives of the natives who depend on their environment completely and is made in Pangchenpa — a dialect now spoken by only 5000 people.
This story is from the February 2020 edition of TerraGreen.
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This story is from the February 2020 edition of TerraGreen.
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