Land of confusion
N-Photo: the Nikon magazine|October 2021
Sara Jazbar builds multiple exposures in post to convey the chaotic motion of bustling street scenes through a series of still images
Sara Jazbar
Land of confusion

MISSION: Convey the sense of disorientation and confusion a single shot is unable to convey

PHOTOGRAPHER: Sara Jazbar

LOCATION: Trieste, Italy

KIT USED: Nikon D500, D5200, D700, AF-S 24-120mm f/4G ED VR, AF-P DX 18-55mm f/3.5-5.6G VR, Tokina 11-20mm f/2.8 AT-X PRO DX

INSTAGRAM: @jazart72

FACEBOOK: facebook.com/jazartvisualarts

Airbrushing was my first love. I started taking photos because I wanted to have my own references and avoid having to always ask permission to reproduce images. Very soon, though, my main interest shifted to photography and I started experimenting in various genres. I don’t like to be bound to one genre. My artistic background causes me to question the way I sometimes feel and I can’t always convey this through a conventional image. I started to experiment with post-production techniques and achieved these images by overlaying the same photo multiple times, shifting each layer as I saw fit and playing with the opacity and various blending modes. My inspiration for these pictures was Thomas Vanoost, a brilliant fine art photographer.

This story is from the October 2021 edition of N-Photo: the Nikon magazine.

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This story is from the October 2021 edition of N-Photo: the Nikon magazine.

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