01 WINNER BUACHAILLE ETIVE MOR, GLENCOE BY JOHN CUMMINGS
John's captured an incredible shot of Glencoe here, which really shows off the best of Scottish landscapes. The crashing waterfalls make for fantastic foreground interest that instantly draw the eye and carry you through the image to the fantastic mountain, and dramatic sky looming in the background. It's well exposed and nicely composed too.
Lens Canon EF 16-35mm f/4L IS USM Exposure 0.8 secs, f/13, ISO100
02 TRANQUILLITY BY DOMINIC BEAVEN
Dominic's turned this seascape photograph of three beach huts into an exquisitely minimal scene. His lengthy 160 secs shutter speed, just short of three minutes, has given his camera plenty of time to record the motion of the waves and clouds turning both into an ethereal blur - adding to that peaceful feeling.
Lens Canon EF 16-35mm f/2.8L III USM Exposure 160 secs, f/13, ISO50
03 THE ARCH BY HYWEL EVANS
Durdle Dor has to be one of the most photogenic and photographed landscape spots in the UK, certainly along the Jurassic Coast. Hywel's shot is nicely composed and full of colour thanks to the fiery pinks and oranges coming through the clouds at sunrise. The cliff edge and shoreline act as lead-in lines guiding the eye perfectly towards the famous arch, and a slow shutter speed of 30 seconds has added some dramatic blur to the waves and clouds.
Lens Canon EF 16-35mm f/2.8L II USM Exposure 30 secs, f/8, ISO640
04 PASTEL DAWN BY DAVE FEASTER
This story is from the Spring 2022 edition of PhotoPlus : The Canon Magazine.
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This story is from the Spring 2022 edition of PhotoPlus : The Canon Magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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