One reader’s morning of wildlife photography using his car as a hide on a single-track road in the Scottish Highlands
My family helped to pay for a photography holiday as a birthday present. So I booked a hotel in Grantown-on Spey and spent most of the week exploring the mountains, forests and lochs of the Cairngorms.
On the final day I thought I’d try heading north to the Moray Firth. Lochindorb is a remote loch about five miles north of Grantown-on-Spey, with a minor road running along the southern shore.
It looked like a great place to visit on my way north. As such, I set off with my camera and a beanbag ready on the passenger seat.
This story is from the May 2018 edition of PhotoPlus : The Canon Magazine.
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This story is from the May 2018 edition of PhotoPlus : The Canon Magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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