You can forget the showy opulence and posturing to be found along the South of France in Monte Carlo, Cannes and St Tropez; in my book Menton is far preferable on the Cote d'Azur. It’s a beautiful town by the sparkling Med, ringed by the protective AlpesMartime, and with a discernible Italian feel. That’s no surprise really, as the town lies right on the border, and this region, once the Duchy of Savoy, and ruled by the Kings of Sardinia (in Turin, confusingly), only became part of France in 1860.
This story is from the September 2020 edition of PhotoPlus : The Canon Magazine.
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This story is from the September 2020 edition of PhotoPlus : The Canon Magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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