2020 may not have been a year to celebrate, but there were some housebound highlights. For example, after I had finished with the measurements to accompany Michael Fremer’s review of the Marten Oscar Duo in the November 2020 issue,1 I set up these Swedish two-way standmounts in my own listening room. Yes, the measured performance was excellent, but I was not expecting how much I would enjoy the sound of the Oscar Duos. At $6995/pair, this is not an inexpensive speaker, but it rivaled the stereo imaging produced by my reference KEF LS50, played louder than the diminutive KEF without strain, and offered another octave of low frequencies. As MF concluded in his review: “Designer Leif Olofsson has threaded the needle, producing a small speaker that can produce prodigious bass (or at least bass that sounds prodigious) with composure at relatively high SPLs, without muddying up the midrange.”
The Oscar Duos went back to the distributor last October, but as the new year dawned, Marten’s new Parker Trio tower loudspeakers ($19,990/pair) arrived chez Moi. I unpacked the Trios, set them up, experimented with positioning, listened a while, then packed them up again. It turned out that the stainless steel outrigger bases didn’t have the correct-sized holes tapped into them for the mandatory Marten Isolators. Rather than replace the outriggers, Marten decided instead to send me the “Diamond Edition” version of the Parker Trio. This considerably more expensive version—$36,990/ pair—replaces the regular Trio’s ceramic-dome tweeter with one that uses a dome formed from pure diamond—presumably vapor-deposited—higher-quality crossover components, improved cable terminals, and Jorma’s top-of-the-range Statement internal cabling.
On with the show.
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This story is from the June 2021 edition of Stereophile.
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This story is from the June 2021 edition of Stereophile.
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