tranquil sanctuary
d+a|Issue 134
The recently launched Banyan Tree Higashiyama Kyoto, designed by Kengo Kuma, fuses traditional Japanese architecture with modern elegance.
Amy Van
tranquil sanctuary

Banyan Tree Higashiyama Kyoto, which opened in August this year, marks the debut of the Banyan Tree brand in Japan. Located in the historic Higashiyama Ward, this luxury retreat is nestled on a hilltop near the iconic UNESCO World Heritage Site, Kiyomizu-dera Temple.

 Designed by Kengo Kuma and Associates (KKAA), the architecture seamlessly melds with its natural surroundings, which is bordered by a bamboo forest and framed by the Higashiyama Mountains. Although situated close to bustling Gion, Kyoto’s historic entertainment district, the place exudes a calming atmosphere.

The resort boasts 52 luxurious guest rooms; eight of which are designated Onsen Retreat Rooms. The private hiba wood bathtubs in these special rooms are fed by natural hot spring water from the hotel’s grounds.

Other facilities include the Banyan Tree Spa with minimalist private treatment rooms where guests can enjoy total relaxation, as well as natural indoor and outdoor onsens. Dining-wise, there’s an intimate 20-seat bar, and Ryozen, a 48-seater Kappo-style restaurant with an adjoining terrace that overlooks the Noh stage in the garden. 

honouring craftsmanship while fusing modernity

Kuma’s design draws on traditional building techniques, while merging local craftsmanship with contemporary elements.

Understandably, there were some challenges when building in this historic city. Kuma says, “Kyoto City has a strict landscape ordinance, especially in this area. The height (of the building), colours to be used, design etc., all had to be approved by a council called the “Bikan-chiku Fuuchi Shingikai”. In addition, the decisions made here could not be easily changed, and we had to cooperate with the local architectural office for any issues. This strict rule protects the landscape and the branding of the city of Kyoto.” 

This story is from the Issue 134 edition of d+a.

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This story is from the Issue 134 edition of d+a.

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