Aiming for the bullseye
Filmfare|October 2024
SHANTANU MAHESHWARI IS NOT JUST A DANCING STAR ANYMORE BUT HAS PROVED HIMSELF AS AN ACTOR WITH EVERY OUTING, FINDS SUMAN SHARMA
Aiming for the bullseye

Shantanu Maheshwari has truly made a mark in Bollywood. From his early days dancing on shows like Jhalak Dikhhla Jaa and Nach Baliye 9 to his notable performances in Gangubai Kathiawadi and Tooth Pari, he has recently been receiving acclaim for his role in Auron Mein Kahan Dum Tha. The actor is critical of the tendency to pigeonhole individuals into specific roles or talents. He argues that this limiting perspective fails to acknowledge the full range of a person's abilities.

"It's frustrating how people are often boxed into one particular role or talent," he says. "Just because someone excels in one area doesn't mean they don't have the potential to thrive in others as well." He believes that this narrow view not only stifles personal growth but also overlooks opportunities for innovation and development. Recognising and nurturing multiple talents is crucial, according to him. He reflects that when we confine people to a single identity, we miss out on the broader spectrum of their capabilities.

"Every individual has a unique set of skills that can be developed and expanded. Embracing this diversity allows people to explore new avenues and contribute in various ways, enriching both their own lives and the creative fields they are part of." T he journey to breaking out of the dance mould was not without its difficulties. "Coming from a dancing background, there was always a tendency to box me into dance roles. The rejections and struggles to break out of that mould were tough, but they ultimately helped me grow and prove my acting abilities." Getting roles of his choice can be challenging for a newcomer. He admits to being frustrated at first but now has found a way to keep negativity in check.

He's indeed grown wise over the years. "It often takes time to find roles that align with your aspirations.

This story is from the October 2024 edition of Filmfare.

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This story is from the October 2024 edition of Filmfare.

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