SHSOHUM made his debut with a film called Baabarr (2009), where he played a dreaded gangster. He acted alongside actors like Om Puri and Mithun Charaborty in the film and charted it off as a learning experience. In 2012, he essayed the role of an antagonist in the National Award-winning film Ship of Theseus, which got him much appreciation. However, having spent more than a decade in the industry, the one film that endeared him to the masses was Tumbbad (2018). The film, which he also produced, was his labour of love and took as many as six years to complete. “I clearly remember the last day of Tumbaad’s shoot. It was May 13, 2015,” he reminisces “The early morning of, around 4-5 am, when we were shooting the Hastar scene, the flour was in the air all around and the atmosphere was foggy, and we heard a voice that said, It’s a wrap. And a tear rolled down my eyes because Tumbbad’s shoot was tough. It felt like we were in a war, and today the war had come to an end. Now the film can be edited and released.”
This story is from the July 2023 edition of Filmfare.
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This story is from the July 2023 edition of Filmfare.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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Shatrughan Sinha's Rapid fire
Rapid fire
Women's era
Kiran Rao, Payal Kapadia and Shuchi Talati are redefining contemporary Indian cinema by placing women at the centre of their narratives, offering a refreshing perspective through the female gaze. Their films, Laapataa Ladies, All We Imagine As Light, and Girls Will Be Girls, not only explore women-oriented stories but also challenge the traditional male-dominated lens of storytelling, creating nuanced portrayals of women's experiences, aspirations and struggles.
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