Divya Dutta has carved a niche for herself through a career that spans across genres and languages. From her memorable debut in Train To Pakistan to her impactful roles in Veer Zaara, Delhi 6 and Bhaag Milkha Bhaag, Divya has consistently chosen roles that resonate with audiences on a profound level. Beyond the silver screen, Divya is a champion for recognising women's contributions and the importance of self-love in relationships. Her candid observations on societal dynamics reflect not only her wisdom but also her commitment to portraying authentic, relatable stories that resonate with audiences worldwide. Our interviews have always felt like conversations between friends rather than work because of the way she connects with you on all fronts. Excerpts from an engaging chat with the fine actress.
HOW WAS IT WORKING WITH TAHIRA KASHYAP IN SHARMAJEE KI BETI?
When I was approached for the film, the producer insisted I hear the story from Tahira. She is so skilled at narration that it felt like I had watched the entire film. They executed it well and were clear about their requirements from the film and its actors. The best thing was we had a lot of fun on the set. It’s important not to feel pressured and to enjoy the work. I found my role interesting.
YOUR CHARACTER, KIRAN SHARMA, BATTLES LONELINESS AFTER MOVING TO MUMBAI. DID YOU FACE A SIMILAR SITUATION WHEN YOU LEFT A SMALL TOWN IN PUNJAB FOR THE METRO CITY?
Kiran didn’t know what to do other than manage a household. I came to pursue work, so I was prepared. Nevertheless, everyone experiences a journey of loneliness. Even with help, you must fight your own battles. The city teaches you self-reliance.
DID YOU RESONATE WITH THE CHARACTER OF KIRAN SHARMA?
This story is from the August 2024 edition of Filmfare.
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This story is from the August 2024 edition of Filmfare.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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Shatrughan Sinha's Rapid fire
Rapid fire
Women's era
Kiran Rao, Payal Kapadia and Shuchi Talati are redefining contemporary Indian cinema by placing women at the centre of their narratives, offering a refreshing perspective through the female gaze. Their films, Laapataa Ladies, All We Imagine As Light, and Girls Will Be Girls, not only explore women-oriented stories but also challenge the traditional male-dominated lens of storytelling, creating nuanced portrayals of women's experiences, aspirations and struggles.
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