In Salaar your character goes, “I need a drink” after hearing Deva’s (played by Prabhas) backstory. Was that your reaction to the story? The film goes hard. But that’s what you expect from Prashanth Neel. It’s not usually a character I would choose. In terms of her personality, she’s waiting for a lot of things to happen. But I liked it because all of these things happen because she enters the story. I have always been a fan of Prashant Neel’s work and the worlds he creates and I was Interested in being a part of that. I was also interested in working with Prabhas as well.
What was it like immersing yourself in Prashanth Neel’s world? It’s not just the kind of films he makes and how much power he truly commands power on the set. He’s got a leadership personality and he knows how to make all his team members love working with him. He gives us that feeling. That is his greatest achievement as a person and a director.
How was it working with Prabhas?
This story is from the February 2024 edition of Filmfare.
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This story is from the February 2024 edition of Filmfare.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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Shatrughan Sinha's Rapid fire
Rapid fire
Women's era
Kiran Rao, Payal Kapadia and Shuchi Talati are redefining contemporary Indian cinema by placing women at the centre of their narratives, offering a refreshing perspective through the female gaze. Their films, Laapataa Ladies, All We Imagine As Light, and Girls Will Be Girls, not only explore women-oriented stories but also challenge the traditional male-dominated lens of storytelling, creating nuanced portrayals of women's experiences, aspirations and struggles.
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