But for 60 years, that’s just what he did. While still in his 20s, he emerged as one of the key figures in the 1960s satire boom. More than 40 years later, he and his long-term collaborator John Fortune were still at it, mercilessly lampooning the political trends of the era alongside impressionist Rory Bremner.
Bremner remembered Bird as “one of the most modest of men and most brilliant of satirists. And one of the last surviving pillars of the antiestablishment”.
Such was the extent of Bird’s acting work, however, that no interest in politics or satire was necessary to appreciate him on screen. Thanks to appearances in everything from One Foot in the Grave and Inspector Morse, to the Hannah Gordon sitcom Joint Account and the period drama Dick Turpin, we have all, during the past half century or so, become Bird watchers.
John Michael Bird was born in Nottingham in 1936 to chemist’s shopkeeper Horace Bird and his wife Dorothy. He went to grammar school, despite failing his 11-plus, and later passed the entrance exam to King’s College, Cambridge. His time in the Cambridge Footlights coincided with that of Peter Cook, Eleanor Bron and one tall young man named John Wood who later changed his name to John Fortune. The author Jem Roberts states this group brought “the 50s to a close with the highest standard of revue the club had ever known.”
This story is from the March 2023 edition of Best of British.
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This story is from the March 2023 edition of Best of British.
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