Then the Washington Post unWhen veiled the slogan "Democracy Dies in Darkness," on February 17, 2017, people in the news business made fun of it. "Sounds like the next Batman movie," the New York Times' executive editor, Dean Baquet, said. But it was already clear, less than a month into the Trump Administration, that destroying the credibility of the mainstream press was a White House priority, and that this would include an unabashed, and almost gleeful, policy of lying and denying. The Post kept track of the lies. The paper calculated that by the end of his term the President had lied 30,573 times.
Almost as soon as Donald Trump took office, he started calling the news media "the enemy of the American people." For a time, the White House barred certain news organizations, including the Times, CNN, Politico, and the Los Angeles Times, from briefings, and suspended the credentials of a CNN correspondent, Jim Acosta, who was regarded as combative by the President.
"Fake news" became a standard White House response-frequently the only White House response to stories that did not make the President look good. There were many such stories.
Suspicion is, for obvious reasons, built into the relationship between the press and government officials, but, normally, both parties have felt an interest in maintaining at least the appearance of cordiality. Reporters need access so that they can write their stories, and politicians would like those stories to be friendly. Reporters also want to come across as fair and impartial, and officials want to seem coöperative and transparent. Each party is willing to accept a degree of hypocrisy on the part of the other.
With Trump, all that changed.
This story is from the February 06, 2023 edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the February 06, 2023 edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
NO WAY BACK
The resurgence, in the past decade, of Paul Schrader as one of the most accomplished and acclaimed contemporary movie directors is part of a bigger trend: the self-reinvention of Hollywood auteurs as independent filmmakers.
PRIMORDIAL SORROW
\"All Life Long,\" the title of the most recent album by the composer and organist Kali Malone, is taken from a poem by the British Symbolist author Arthur Symons: \"The heart shall be weary and wonder and cry like the sea,/ All life long crying without avail,/As the water all night long is crying to me.\"
CHOPPED AND STEWED
The other day, at a Nigerian restaurant called Safari, in Houston, Texas, I peeled back the plastic wrap on a ball of fufu, a staple across West Africa.
TOUCH WOOD
What do people do all day? My daughter loves to read Richard Scarry's book of that title, though she generally skips ahead to the hospital pages.
HELLO, HEARTBREAK
Heartbreak cures are as old as time, or at least as old as the Common Era.
ENEMY OF THE STATE
Javier Milei's plan to remake Argentina begins with waging war on the government.
THE CHOOSING ONES
The saga of my Jewish conversion began twenty-five years ago, when I got engaged to my first husband.
OBSCURE FAMILIAL RELATIONS, EXPLAINED FOR THE HOLIDAYS
Children who share only one parent are half siblings. Children who have been bisected via a tragic logging accident are also half siblings, but in a different way.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
BADDIE ISSUES
\"Wicked\" and \"Gladiator II.\"
