The exhibition places fourteen of his paintings, made between the late nineteen-sixties and the early eighties, under the same roof as the Old Masters to which Hendricks, their dedicated student, returned throughout his life. Like all the greatest portraitists, Hendricks rendered glimmers of his subjects’ interior lives via the particularities of their personal style, the poses they strike, and the precise wattage of their skin’s radiance, remaining steadfastly devoted to, in his words, “the beauty and variety of complexion colors that we call Black.”
This story is from the August 28, 2023 edition of The New Yorker.
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This story is from the August 28, 2023 edition of The New Yorker.
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\"Death Becomes Her\" and \"Burnout Paradise.\"
ANTI HEROES
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FELLOW-TRAVELLERS
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NOW YOU SEE ME
John Singer Sargent's strange, slippery portraits of an art dealer's family.
PARIS FRIEND - SHUANG XUETAO
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Robots learn to use their hands.
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