TALKING WITH GOD
The New Yorker|March 18, 2024
John Patrick Shanley’s Doubt: A Parable” and Brooklyn Laundry.”
VINSON CUNNINGHAM
TALKING WITH GOD

It’s been a good few months for catching up on the work of the playwright John Patrick Shanley. Last fall, the Lucille Lortel Theatre put on a revival of Shanley’s seedy, stormy, aggressive love story, from 1983, “Danny and the Deep Blue Sea”—a production most notable, thinking back on it, for its announcement of a new level of ambition on the part of Aubrey Plaza, who starred as the tough, lost Roberta.

Now, this spring—the Lenten timing is appropriate, perhaps, for this God-haunted writer—there’s a Shanley double bill. “Doubt: A Parable,” his Pulitzer Prize-winning drama, from 2004, about a fraught episode at a Catholic school and parish, is in revival at the Todd Haimes Theatre, produced by the Roundabout and directed by Scott Ellis. “Brooklyn Laundry,” Shanley’s newest play, a tragicomic romance about the excruciating fickleness of fate, is at Manhattan Theatre Club’s New York City Center Stage I, under Shanley’s own direction.

This story is from the March 18, 2024 edition of The New Yorker.

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This story is from the March 18, 2024 edition of The New Yorker.

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