By the time the cult sitcom “Party Down” began airing on Starz in 2009, after a six-year search for a network home, it had become a Great Recession comedy. Set at a different gathering or celebration each week, the show followed Los Angeles’s worst catering crew—a ragbag of struggling actors, writers, and comedians glued to their flip phones, who approach basic hospitality like an exotic custom. Naturally, their clients are even less sympathetic. In the second episode of the series, the servers attend to a group of college Republicans. With then Governor Arnold Schwarzenegger playing the part of Godot, the workers are forced to make chitchat with the conservatives while they wait for the guest of honor to arrive. Henry (Adam Scott), a bartender whose brief stint as the star of a ubiquitous beer commercial effectively killed his former acting career, rolls his eyes at the overconfident twerps preaching hard work and perseverance. But the students find an acolyte in Henry’s dopey boss, Ron (Ken Marino), who dreams not of fame or fortune but of rise-and-grinding his way to managing a franchise of a soup-centric chain restaurant. With the exception of Henry, each member of the Party Down waitstaff is hopeful (or delusional) enough to think that meritocracy will work out in their favor. But only Ron is naïve enough to believe in capitalism.
This story is from the March 06, 2023 edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the March 06, 2023 edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
NO WAY BACK
The resurgence, in the past decade, of Paul Schrader as one of the most accomplished and acclaimed contemporary movie directors is part of a bigger trend: the self-reinvention of Hollywood auteurs as independent filmmakers.
PRIMORDIAL SORROW
\"All Life Long,\" the title of the most recent album by the composer and organist Kali Malone, is taken from a poem by the British Symbolist author Arthur Symons: \"The heart shall be weary and wonder and cry like the sea,/ All life long crying without avail,/As the water all night long is crying to me.\"
CHOPPED AND STEWED
The other day, at a Nigerian restaurant called Safari, in Houston, Texas, I peeled back the plastic wrap on a ball of fufu, a staple across West Africa.
TOUCH WOOD
What do people do all day? My daughter loves to read Richard Scarry's book of that title, though she generally skips ahead to the hospital pages.
HELLO, HEARTBREAK
Heartbreak cures are as old as time, or at least as old as the Common Era.
ENEMY OF THE STATE
Javier Milei's plan to remake Argentina begins with waging war on the government.
THE CHOOSING ONES
The saga of my Jewish conversion began twenty-five years ago, when I got engaged to my first husband.
OBSCURE FAMILIAL RELATIONS, EXPLAINED FOR THE HOLIDAYS
Children who share only one parent are half siblings. Children who have been bisected via a tragic logging accident are also half siblings, but in a different way.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
BADDIE ISSUES
\"Wicked\" and \"Gladiator II.\"