UNHOLY TRINITY
The New Yorker|July 01, 2024
“Kinds of Kindness.”
JUSTIN CHANG
UNHOLY TRINITY

Jesse Plemons, Emma Stone, and Willem Dafoe star in Yorgos Lanthimos’s film.

Should you arrive late for Yorgos Lanthimos’s “Kinds of Kindness,” you will miss its single most rousing moment: an opening blast of that delectably sour 1983 earworm “Sweet Dreams (Are Made of This).” The song needs no justification; it could kick off every movie from now until kingdom come. Even so, you may wonder what put Lanthimos, the Greek-born director of such acrid downers as “The Lobster” (2015) and “The Killing of a Sacred Deer” (2017), in a specifically Eurythmics mood. Perhaps, after concocting the mad Victorian brew of “Poor Things” (2023), he wanted to signal a shift back to a more contemporary style of weird. Or perhaps he recognized, in the song’s coolly cynical lyrics, a corrosion of spirit to match his own. “Some of them want to abuse you/Some of them want to be abused”: there are worse ways to sum up the cruel spectacles of subjugation that Lanthimos has made such a perverse specialty of.

This story is from the July 01, 2024 edition of The New Yorker.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the July 01, 2024 edition of The New Yorker.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM THE NEW YORKERView All
GET IT TOGETHER
The New Yorker

GET IT TOGETHER

In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.

time-read
10+ mins  |
November 25, 2024
GAINING CONTROL
The New Yorker

GAINING CONTROL

The frenemies who fought to bring contraception to this country.

time-read
10+ mins  |
November 25, 2024
REBELS WITH A CAUSE
The New Yorker

REBELS WITH A CAUSE

In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.

time-read
5 mins  |
November 25, 2024
AGAINST THE CURRENT
The New Yorker

AGAINST THE CURRENT

\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.

time-read
5 mins  |
November 25, 2024
METAMORPHOSIS
The New Yorker

METAMORPHOSIS

The director Marielle Heller explores the feral side of child rearing.

time-read
10+ mins  |
November 25, 2024
THE BIG SPIN
The New Yorker

THE BIG SPIN

A district attorney's office investigates how its prosecutors picked death-penalty juries.

time-read
10+ mins  |
November 25, 2024
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
The New Yorker

THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED

I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.

time-read
2 mins  |
November 25, 2024
HOLD YOUR TONGUE
The New Yorker

HOLD YOUR TONGUE

Can the world's most populous country protect its languages?

time-read
10+ mins  |
November 25, 2024
A LONG WAY HOME
The New Yorker

A LONG WAY HOME

Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.

time-read
10+ mins  |
November 25, 2024
YULE RULES
The New Yorker

YULE RULES

“Christmas Eve in Miller’s Point.”

time-read
6 mins  |
November 18, 2024