EXPLORING THE CINEMATIC CRAFT OF SOFIA COPPOLA'S "PRISCILLA"
Digital Studio|January 2024
Sofia Coppola's latest film, "Priscilla," explores the romantic narrative of Elvis and Priscilla Presley, unveiling a captivating cinematic journey. Collaborating with cinematographer-colorist duo Philippe Le Sourd and Damien van der Cruyssen, Coppola departs from traditional film shooting, embracing a digital approach with the ALEXA 35 camera. The film's visual narrative is meticulously crafted through emotional storytelling, custom Look Up Tables (LUTS), and changing palettes that reflect the evolving settings. Van der Cruyssen's mastery in grading adds the final touch, promising "Priscilla" to be a visual and emotional triumph upon its 2024 release. Sofia Coppola's Cinematic Journey
EXPLORING THE CINEMATIC CRAFT OF SOFIA COPPOLA'S "PRISCILLA"

Sofia Coppola's creative prowess takes center stage in her latest film, "Priscilla," a captivating portrayal of Priscilla Presley's memoir, "Elvis and Me." The film unfolds the intricacies of the Presley romance and their time together, offering viewers a unique glimpse into a transformative period. Premiering at the Venice Film Festival and the London Film Festival, "Priscilla" made its debut in US cinemas on October 27, with an eagerly anticipated UK preview on December 26 and an official release on January 1, 2024.

COLLABORATIVE BRILLIANCE: COPPOLA, LE SOURD, AND VAN DER CRUYSSEN

At the heart of "Priscilla" lies the collaborative brilliance of cinematographer-colorist duo Philippe Le Sourd and Damien van der Cruyssen. The longstanding collaboration between Coppola and this dynamic duo has previously produced cinematic gems like "La Traviata” (2017), "The Beguiled" (2017), and "On The Rocks" (2020). In "Priscilla," the trio embarks on a cinematic journey that transcends traditional boundaries, creating a visual tapestry that weaves together emotion, trust, and collaboration.

SHOOTING CHOICES: A DEPARTURE FROM TRADITION

This story is from the January 2024 edition of Digital Studio.

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This story is from the January 2024 edition of Digital Studio.

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