In the vibrant streets of Bangalore, Anita Nair spins a narrative that mirrors the intricacies of 21st-century society. Renowned for her Inspector Gowda series, Nair takes readers on a riveting journey through the city's bustling landscapes, unraveling crimes intertwined with political intrigue, land disputes, and broader societal issues. In this exclusive interview, Nair shares insights into her creative process, the genesis of her flawed yet relatable protagonist, and the meticulous research that lends authenticity to her crime fiction.
NAVIGATING SOCIETAL COMPLEXITIES
At the core of Nair's recent novel, "Hot Stage," is a political murder that unfurls a web of motives involving prominent citizens in Bangalore. Nair asserts that the Gowda series transcends traditional crime narratives, offering a reflection of the evolving city. "With 'Hot Stage,' I intended to use political murder and the land mafia angle as red herrings to lead to the real crime," she reveals. This storytelling technique allows her to weave in social commentary, delving into issues such as corruption, power, bribery, and environmental concerns, offering readers a profound exploration of the human condition.
FLAWED PROTAGONIST: A GLIMPSE INTO THE HUMAN PSYCHE
Assistant Commissioner of Police Borei Gowda, the flawed and relatable protagonist of the series, plays a pivotal role in Nair's exploration of the darker aspects of the human psyche. She highlights the necessity for a perspective capable of delving into the twisted strands of darkness within the human mind. "A well-adjusted character will not be able to understand the complexities of criminal thinking," she notes. The contradiction of a flawed man working on the right side of the law adds layers to the narrative, making it both intriguing and challenging.
This story is from the January 2024 edition of Storizen.
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This story is from the January 2024 edition of Storizen.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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