A man who has not been in Italy, is always conscious of an inferiority, from his not having seen what it is expected a man should see,” wrote English critic Samuel Johnson at the height of the Grand Tour’s popularity. (So much for #FOMO being a modern invention.) For young Europeans of means in the 17th to 19th centuries, these travels through Italy and France were a rite of passage, a way to supplement one’s education by taking in the treasures of classical antiquity and the Renaissance. The shared experience of the Grand Tour also contributed to a revival in classical styles among designers and architects—thanks in no small part to the objets travelers filled their country homes with upon returning.
This story is from the September 2023 edition of ELLE US.
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This story is from the September 2023 edition of ELLE US.
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