In the glossy, veneered universe that is Keeping Up with the Kardashians, Photoshop is a given. “Show us the unedited ones,” reads a comment on Kim Kardashian’s post; a customary refrain glimpsed on the Instagram feeds of the Kardashian-Jenner clan. Another states succinctly: “Fake.” Comments like these tell us everything: there is nothing realistic about the E! Network series. Instead, audiences are fed an aspirational, unattainable way of life that is further showcased via the cast’s social media platforms, where imperfections such as wrinkles and acne are erased at the tap of a button, teeth are whitened with a swipe of a finger and love handles are made non-existent. And it seems no one is exempt from the all-powerful photo editing tool—not even children.
Case in point: Khloé Kardashian. The business owner and socialite came under fire this April after she allegedly placed filters on her daughter that altered her skin tone and facial structure.
“Look at it this way, there is the harmless filtering and editing that people may perform on their own photos for the portrayal of a certain look. Then, there is the photoshopping of their children’s photos. On one hand, it is about staying true to one’s perspective of beauty standards. But this begs the question: should these same standards be applied to one’s children?” questions Dr Shawn Ee, a clinical psychologist at The Psychology Practice.
Nip and tuck
This story is from the November 2024 edition of Vogue Singapore.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the November 2024 edition of Vogue Singapore.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
A LIFE'S WORK
There are some paths in life that are a calling and palliative care feels like one of them. With great tenderness, three hospice nurses open up on what it means to offer care—in its many forms—at the end of life.
Genetic Make-Up
Digital filters, but with real-life consequences. Vogue Singapore considers the implications behind a new generation of parents choosing to edit pictures of their children.
Mythic ROMANCE
Dior's Cruise 2025 collection transports us to the enchanting landscapes of Scotland, blending romantic narratives with modern allure.
AN ASYLUM
Co-founders Jaren Neo and Becky Ng speak to Vogue Singapore on the driving force behind their label, its in-house residency programme and their hopes for a more supportive creative ecosystem.
Metropolis of IMAGINATION
Moncler debuts The City of Genius in Shanghai, a bold celebration of creativity featuring an eclectic line-up of visionary co-creators.
STANDING Tall
The Louis Vuitton Cruise 2025 collection was an exploration of postmodern architecture and the future through sharp tailoring, romantic draping and ornamental detailing.
WATERWORKS
In an era of power showers, cold plunges and #Shower Tok, there's still merit to be found in slowing down for the age-old ritual of bathing.
First CLASS
Education is the most powerful weapon, a noble pursuit that these three watches and jewellery brands have embarked on with different approaches.
A New FRONTIER
The nearly two-century-old watchmaker Jaeger-LeCoultre has crafted its first olfactive identity courtesy of perfumer Nicolas Bonneville.
House PROUD
Two symbolic homes come together in Louis Vuitton's latest haute horlogerie creation: a pocket watch that honours its historic trunk manufacture in Asnières and its cutting-edge watchmaking facility in Geneva.