She stood alone atop a black staircase before a megascreen that had all night projected many curious symbols-digital mitochondria, ancestral totems, a beetle-but would soon show a giant moon. Till then, it was just her. Just her and me, just thousands of Mes watching their own private Her. It was late July in Dallas, in the blunt-filled dark of the American Airlines Center, during one of the hottest summers we'll ever experience until next summer. Time had come for Erykah Badu to sing "Orange Moon.
From the keyboard trickled pools of ascending notes, and under those keys crickets chirped softly. Everything was very still, everything was the memory of your first great summer lover-then she nosedived into the first lines:
I'm an orange moon
I'm an orange moon
Reflecting the light of the sun
The drums locked in. Three background singers oohed on cue. Then Badu's voice-which some compare to Billie Holiday's, though she compares it to a clarinet-pulled us through the song, from her album Mama's Gun. It's a tale of a man who'd spent so many, many, many nights all alone because his light was too bright. Until, one day, he turned to her. He saw his reflection in her. He smiled at her. He said to her: "How good it is."
Their tale went on, and soon it was Badu realizing "how good it is," sweetly singing "how good he is," wailing "how God is." Nearby, a few entranced listeners were on their feet, just some of the thousands she played to during her 25-city Unfollow Me tour this summer. One sister held her hand high in praise, in "yes," as she swayed, and soon Badu's eyes were back up on the megascreen in double. The moon returned, bigger and oranger, and the crickets and keys brushed up against each other in pace with Badu's aching voice, musing howgoooditisss, so many different ways and wonderings, until she landed, softly, finally, on a solitary syllable, 000000000.
This story is from the September 11 - 24, 2023 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the September 11 - 24, 2023 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Enchanting and Exhausting
Wicked makes a charming but bloated film.
Nicole Kidman Lets Loose
She's having a grand old time playing wealthy matriarchs on the verge of blowing their lives up.
How Mike Myers Makes His Own Reality
Directing him in Austin Powers taught me what it means to be really, truly funny.
The Art of Surrender
Four decades into his career, Willem Dafoe is more curious about his craft than ever.
The Big Macher Restaurant Is Back
ON A WARM NIGHT in October, a red carpet ran down a length of East 26th Street.
Showing Its Age
Borgo displays a confidence that can he only from experience.
Keeping It Simple on Lower Fifth
Jack Ceglic and Manuel Fernandez-Casteleiro's apartment is full of stories but not distractions.
REASON TO LOVE NEW YORK
THERE'S NOT MUCH in New York that has staying power. Every other day, a new scandal outscandals whatever we were just scandalized by; every few years, a hotter, scarier downtown set emerges; the yoga studio up the block from your apartment that used to be a coffee shop has now become a hybrid drug front and yarn store.
Disunion: Ingrid Rojas Contreras
A Rift in the Family My in-laws gave me a book by a eugenicist. Our relationship is over.
Gwen Whiting
Two years after a mass recall and a bacterial outbreak, the founder of the Laundress is on cleanup duty.