It was 2015 in New York City. Hamilton was on Broadway, Donald Trump was hosting Saturday Night Live, and, at New York University's Tisch School of the Arts, a fresh crop of comedy kids was striving to become fuck-you famous.
The key, as historically proved by their forebears, was making it into one of the highly competitive on-campus sketch, improv, or stand-up groups—ideally Hammerkatz or Dangerbox or Astor Place Riots—and riding those waves to their seemingly inevitable destinations: Saturday Night Live; Comedy Central; a series on FX or the CW or HBO.
Rachel Sennott, a freshman acting student, and Ayo Edebiri, a sophomore teaching student (who’d soon switch to dramatic writing), first passed each other in the hallway after one of their auditions. Neither got into any of the groups, a fate that at the time felt like the doors at 30 Rock were preemptively slamming in their faces. (Indeed, some of their peers who did get in ended up exactly where they thought they’d be: SNL hired the Please Don’t Destroy boys, a sketch-comedy group comprised of NYU alums Ben Marshall, John Higgins, and Martin Herlihy.) Shortly thereafter, Edebiri noticed Sennott at a party on a friend’s roof, drunkenly ranting to fellow aspiring comedian Moss Perricone. “Well, I don’t care about getting in because I’m just going to do comedy by myself,” Sennott said. “This gives me a better push to go out in the city, where there are mics if you look for them.”
“I was like, Who the fuck is this?” says Edebiri, laughing.
“She’s blackout drunk, but she believes there’s another way,” Sennott says in a singsongy rasp.
This story is from the August 28 - September 10, 2023 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the August 28 - September 10, 2023 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
What Did Brooklyn Bridge Park Get So Right?
Nearly 20 years after we broke ground, it's more impressive than ever.
No Man's Land
Rachel Cusk's gender fundamentalism fully surfaces in her latest novel, Parade.
Faust Goes to Fidi
The producers of Sleep No More are back with the whirlwind immersive-theater project Life and Trust.
The Renegade
June Squibb has the perfect first lead role: a granny gone rogue.
The Empty Seat
At Paris Couture Week, one question everyone's lips: Who will lead Chanel?
The Hidden Dutch Colonial
When Nicholas Howey and his late husband, Gerard Widdershoven, bought this 1925 house tucked away behind the hedges in Bridgehampton, they did little more than paint it-and fill it with art.
The Next Shishito?
Jimmy Nardello peppers, long beloved by chefs, are set to break out.
The Shrimp Show
San Sabino makes maximalist seafood for the social-media age.
The WEIGHT of a BOEING 787
Mitch Barnett spent years fighting one of the world's largest aircraft manufacturers. It cost him his life.
By age 43, I'd come up with many explanations for my perpetual strangeness with other people. - Then the autism diagnosis arrived.
SIX YEARS AGO, my now-husband, Sam, asked my father if he could marry me.