CARRYING my sick child on my back through the streets of Gaza, where bystanders are both snipers as well as a queue of thousands waiting for their turn to 'cross the line' - I walked, I ran, I stumbled and I stood up again. I didn't know where to look, where to get help from, whom to tell that she was vomiting and she needed immediate treatment. No help was in sight. Hundreds of eyes from behind the military helmets were looking at us.
We were confined. Trapped in our own land.
Our journey from north of Gaza to the southern part-up to Rafah-at the border of Egypt didn't start today or yesterday.
We have been in transit forever since our grandparents were thrown out of their houses during Nakba of 1948. They found their new shelter in a beach refugee camp-AI Shati. My parents also grew up there and gradually it became our home.
Since my childhood, I never got the taste of freedom. As people growing up under occupation, the only thing that we yearned for was freedom from oppression, exploitation and incessant attacks on our dignity and livelihood. It was impossible to lead a normal life here. We couldn't even plan the next day, let alone plan a life. Our destiny is controlled by the occupiers. Nonetheless, we survived. But things changed again after October 7.
This story is from the January 11, 2024 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the January 11, 2024 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
No Singular Self
Sudarshan Shetty's work questions the singularity of identity
Mass Killing
Genocide or not, stop the massacre of Palestinians
Passing on the Gavel
The higher judiciary must locate its own charter in the Constitution. There should not be any ambiguity
India Reads Korea
Books, comics and webtoons by Korean writers and creators-Indian enthusiasts welcome them all
The K-kraze
A chronology of how the Korean cultural wave(s) managed to sweep global audiences
Tapping Everyday Intimacies
Korean filmmaker Hong Sang-soo departs from his outsized national cinema with low-budget, chatty dramedies
Tooth and Nail
The influence of Korean cinema on Bollywood aesthetics isn't matched by engagement with its deeper themes as scene after scene of seemingly vacuous violence testify, shorn of their original context
Beyond Enemy Lines
The recent crop of films on North-South Korea relations reflects a deep-seated yearning for the reunification of Korea
Ramyeon Mogole?
How the Korean aesthetic took over the Indian market and mindspace
Old Ties, Modern Dreams
K-culture in Tamil Nadu is a very serious pursuit for many