When August Wilson's The Piano Lesson opened at the Huntington Theatre in Boston in 1988, my mother, her friend Renée, and I sat in the audience, captivated by the struggles of a brother and sister at odds about the fate of a family heirloom, a piano on which their enslaved ancestor had made African carvings. The vernacular dialogue, the ghosts, and the humor-as a teenager a couple of years earlier, I'd been stunned by a similar mix in Joe Turner's Come and Gone at the same theater (and had spotted Wilson pacing in the lobby). Still, the new play felt unlike anything we'd ever seen. After the performance, we headed to Slade's, a historic restaurant and bar (once owned by the Celtics legend Bill Russell) in the predominantly Black enclave of Roxbury. The lights were low and the music was loud, and I might not have noticed the cast members in the crowd if they hadn't just held me in thrall for three hours. I didn't see Wilson at Slade's that night, but if he was there, I imagine he was in a corner spinning "big lies," a Black English term for storytelling banter. I remember thinking that of course these actors would find their way to a joint in the hood. Slade's could easily have been described in Wilson's stage directions as a location for some post-show unwinding.
This story is from the September 2023 edition of The Atlantic.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the September 2023 edition of The Atlantic.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
The Dark Origins of Impressionism
How the violence and deprivation of war inspired light-filled masterpieces
The Magic Mountain Saved My Life
When I was young and adrift, Thomas Manns novel gave me a sense of purpose. Today, its vision is startlingly relevant.
The Weirdest Hit in History
How Handel's Messiah became Western music's first classic
Culture Critics
Nick Cave Wants to Be Good \"I was just a nasty little guy.\"
ONE FOR THE ROAD
What I ate growing up with the Grateful Dead
Teaching Lucy
She was a superstar of American education. Then she was blamed for the country's literacy crisis. Can Lucy Calkins reclaim her good name?
A BOXER ON DEATH ROW
Iwao Hakamada spent an unprecedented five decades awaiting execution. Each day he woke up unsure whether it would be his last.
HOW THE IVY LEAGUE BROKE AMERICA
THE MERITOCRACY ISN'T WORKING. WE NEED SOMETHING NEW.
Against Type
How Jimmy O Yang became a main character
DISPATCHES
HOW TO BUILD A PALESTINIAN STATE There's still a way.