Admission is granted via a big iron gate that swings silently open to a crunchy driveway, a small turreted gatehouse, a pond with geese, hedgerows, wordless men with wheelbarrows and Wellingtons and, after a little walking, a three-story red-brick Georgian compound. From the outside it has the stately but understated air commonly associated with English gentry. One of the property’s chief treasures is a really old oak tree.
This is not the Elton John most people know. That guy is loud. The glasses, the outfits, the sexuality, the concerts, the retail expenditure, the platform heels, the temper, the parties, and most of all the piano—all set permanently at fortissimo. John has been in showbiz for 60 years, and for 50 of those he has been a front man, inordinately and excessively famous. His triumphs, mistakes, strengths, weaknesses, wigs, and duck costumes have been in full and permanent plumage. The wealth and passions he became known for have not been those associated with aristocracy: they leaned more toward shopping than Chopin.
But these days the comparison to an English noble feels weirdly apt. John’s married with two heirs. His philanthropic work is much admired. Some of his possessions—a selection from his impressive photograph collection—are currently on display at one of London’s most highly regarded art institutions, the Victoria and Albert Museum. His library is full of trophies that attest to his prowess, an Emmy and multiple other awards crowded together on a small table with some ancient sculpture fragments. He has literally been knighted. From his garden, the current King’s grandmother once remarked, you get a good view of the British monarchy’s ancestral home.
This story is from the December 30, 2024 edition of Time.
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This story is from the December 30, 2024 edition of Time.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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