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Ronald K. Brown brings EVIDENCE to the Joyce Theater
New York Amsterdam News|January 16, 2025
Ronald K. Brown/EVIDENCE returns to the Joyce Theater, to celebrate its 40th anniversary Jan. 14 -19 with a program of works that brings this outstanding company's ebullient brand of dance that melds traditional African, Afro-Cuban, modern dance and spoken word in contemporary choreography that pleases the eye and soothes the soul.
- ZITA ALLEN
Ronald K. Brown brings EVIDENCE to the Joyce Theater

Brown, the company's founder, has long been critically praised for the brilliant ways he creates a seamless fusion of movement. It is such a mesmerizing visualization of the accompanying music's rhythm that the very air seems transformed, leaving audiences transfixed.

A testament to Brown's choreographic genius is the fact that Judith Jamison, the late artistic director emerita of the Alvin Ailey American Dance Theatre, once declared that Brown had more works in the repertory of the AAADT than any other choreographer except, of course, Ailey himself. Brown's work has also been performed by Ailey II, the Cleo Parker Robinson Ensemble, Dayton Contemporary Dance Company, Jennifer Muller/The Works, Jeune Ballet d'Afrique Noire, Ko-Thi Dance Company, and Joan Myers Brown's Philadanco, among others. In fact, Ronald K. Brown/EVIDENCE has enchanted audiences with its magically infectious movement in Cuba, Brazil, England, France, Greece, Hungary, Ireland, Mexico, Senegal, Nigeria, South Africa and Canada. Yet, with characteristic humility, the choreographer says of the Joyce season, "I hope that when people see the work, their spirits are lifted. I am interested in sharing perspectives through modern dance, theater and kinetic storytelling. I want my work to be evidence of these perspectives."

This 2025 Joyce season is guaranteed to lift the audience's spirits as Ronald K. Brown/EVIDENCE returns to the Joyce for its annual home season with a program in which the company's richly expressive dancers invoke themes of spirituality, community, and liberation, artfully brought together in a 25th anniversary performance of Brown's tour-de-force masterpiece, "Grace," along with a landmark restaging of its thematic sequel, "Serving Nia," which answers the call to serve a higher purpose than oneself through a rapturous blend of movement traditions from Senegal, Ivory Coast, and Guinea with modern dance forms.

This story is from the January 16, 2025 edition of New York Amsterdam News.

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This story is from the January 16, 2025 edition of New York Amsterdam News.

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