For an audience often alienated by language barriers, Pushpa speaks a universal dialect of defiance and resilience. Bihar, a state known for its rampant worker migration, connects deeply with Pushpa's disheveled hair, stained clothes, and beedi-smoking demeanor. He isn't just a cinematic hero; he's one of them.
His unyielding self-respect and fearless defiance become cathartic, a cinematic escape from their oppressive reality. The overwhelming success of Pushpa in the northern belts lies in this inherent working-class ethos. When modern Hindi cinema heroes often emerge from urban spaces, suited up and armed with high-tech gadgets, Pushpa cuts a strikingly raw figure, holding nothing more than an axe.
This spirit of rebellion and dignity recalls Amitabh Bachchan's iconic working-class hero from Deewar (1975). In the first Pushpa, when his boss asks him to change his sitting posture, Pushpa quits the job, refusing even an extra note offered as a settlement. "This is enough for the work I have done," he says, echoing Bachchan's Vijay in Deewar: "Main aaj bhi phenke hue paise nahi uthata" (I refuse to accept money that is thrown at me).
This story is from the December 08, 2024 edition of The New Indian Express Bhubaneswar.
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This story is from the December 08, 2024 edition of The New Indian Express Bhubaneswar.
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