Price: £3,499-£3,749/$3,299-$3,499
Website: www.apple.com
Larger laptops, with their increased screen size, often make the best photo-editing and video-editing laptops. For the past few years, Apple's top entry in this category has been the MacBook Pro 16 and now it's back, having had a refresh with an all-new and all-powerful chip.
Apple has designed what it calls the most powerful chip yet in its just over two-year-old endeavours into making its own in-house processors and, on paper, the M2 Max is a beast. Able to be configured up to an absolutely monstrous 38-core GPU, 96GB of unified memory and 400GB/s memory bandwidth, Apple claims that the new 16-inch M2 Max can be up to 2.5x faster in photo editing in Adobe Photoshop and 6.5x faster in video editing in Final Cut Pro than the previous Intel i9 model with a Radeon Pro 5600M graphics card from AMD.
We ran a series of benchmarking tests on the new MacBook Pro 16 with M2 Max. It has slight gains on the M2 Pro in the CPU tasks, which will offer slightly faster speeds over the cheaper chip on normal processing tasks, although you can see huge gains when it comes to graphical processing power.
We performed our usual content creator tests, exporting a batch of 200 edited RAW files to JPEG in Adobe Lightroom, exporting a ten-minute 4K video in Apple ProRes using iMovie, and opening ten RAW files at once in Adobe Photoshop. The M2 Max performed all of these with unbelievable ease. On my Intel i7 MacBook, exporting photos or videos usually dominates the processing power so much that you can do nothing else except walk away until it is finished. However, on the MacBook Pro 16 with M2 Max, I could carry on working as if it wasn’t even exporting files.
This story is from the Issue 265 edition of Digital Photographer.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the Issue 265 edition of Digital Photographer.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents