MASTER MONOC
Digital Photographer|Issue 279
Discover the captivating qualities of black-and-white photography and learn how to master the genre in the age of digital technology
Kim Bunermann
MASTER MONOC

Choose your kit

Learn how your equipment influences the quality of B&W images

When it comes to monochrome tones, choosing the right photography kit makes a huge difference in the quality of your shots. In this photographic genre, tonal range, sharpness, clarity and image noise are all key factors to consider.

If budget isn't an issue, specialist cameras such as Leica's Monochrome series are the way to go. These are specifically designed for black-and-white photography and are favoured by some professional photographers, including Alan Schaller. Models such as the Q2 don't require the use of colour filters or interpolation so that only the pure luminosity (light levels) are captured, which results in sharper and more detailed photographs.

High-resolution sensors are vital for producing high-quality monochrome shots and Leica's M10 features an impressive 40-megapixel sensor. Whereas these monochrome-only cameras can come with a big price tag, the increased dynamic range is outstanding.

However, creating successful black-and-white photography does not necessarily require breaking the bank. The newest and most up-to-date equipment can make things easier but is not a requirement. The art is to make the most of the equipment you have, know how to handle it and invest wisely in a few accessories to help you.

Most digital cameras offer black-and-white shooting modes or film simulations that support you in capturing atmospheric shots. Generally speaking, a high-resolution sensor is beneficial. Additionally, you should ideally work with a camera that can handle noise well, as this is often amplified in black-and-white shots. Thankfully, most modern DSLRs and mirrorless cameras perform well in this area. It's important to know the extent to which your camera can deliver good results when working with high ISO values. This can be easily tested so that you are aware of the limits.

This story is from the Issue 279 edition of Digital Photographer.

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This story is from the Issue 279 edition of Digital Photographer.

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