Four years ago, I followed a vague tip-off that led to me capturing an unprecedented series of photographs of a black leopard in Africa. It was an incredible scoop that resulted in worldwide media attention. The ethos that led me to invest in such a speculative, low-odds endeavour was the same as the one I described in last month’s column, which looked at how taking the greatest risks can often yield the best results. In this column, however, I will concentrate on what I did thereafter…
When you capture the shot of your dreams, it is tempting to draw a line under the project and move on to your next big idea. For me though, capturing that first ‘great’ image is the point at which a project really begins.
This story is from the Issue 264 edition of Digital Photographer.
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This story is from the Issue 264 edition of Digital Photographer.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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