In my early days of writing for photography magazines, the template exaggerated stories and spectacular I photographic moments were rife. The spirituality of landscape was being unlocked and I found this all too laughable. I have always fallen short of the religious experience they were describing. I would be found cursing as I stumbled over slippery rocks, then unable to get my cheap camera bag zip open. Then my camera would ERR01 after attaching my lens. On many occasions you would see me wrestling with stuck aluminium tripod legs, ceased from the saltwater, or running back down the beach after leaving a sizzling sunset too early.
It is a wet winter afternoon in 2008 and I have finished a round of guitar lessons. I head down to a soggy Bantham Beach car park on the South Devon coastline and make my way across the dunes. Then I walk back again and buy a parking ticket. See what I mean?!
This story is from the April 2023 edition of PhotoPlus : The Canon Magazine.
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This story is from the April 2023 edition of PhotoPlus : The Canon Magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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