The Birth of an Anthem
The Indian Quarterly|April - June 2020
From right-wing slogan to moving patriotic song and now back to Hindu nationalistic war cry. Rimli Sengupta on the evolution of Vande Mataram
Rimli Sengupta
The Birth of an Anthem

Bharat Mata 1905 Abanindranath Tagore

I’VE BEEN SNIFFING GLUE. THE ONE ema-nating from India’s streets, asserted by a people in spate. Horror is rife and hope has been unleashed. In a rising of unprecedented coalition and scale. Women in the lead. The youth finding voice. Taking risks for the other. A surge of heart and wit in songs, placards, graffiti. The word ‘republic’ animated, its last six letters in neon. I am a grateful witness to what feels like an incandescent beginning.

I watched agog as Shaheen Bagh rang in 2020. Singing the national anthem at midnight, a sea of faces upturned at a towering tricolour rippling in the frigid air. It could’ve been a painting. The morning paper had more. There sat Rehana Khatun, under a thin tarp, swaddled against the coldest Delhi winter in a hundred years, gazing at her 20-day-old baby asleep on her lap. The baby only days older than the atrocities at Jamia Millia Islamia and Aligarh Muslim University. The caption read:

Through the darkest night

In a land ill and faint

You stayed awake

Resolute and good

Guarding me on your lap

From nightmares.

This story is from the April - June 2020 edition of The Indian Quarterly.

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This story is from the April - June 2020 edition of The Indian Quarterly.

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