The Go-Betweens - G Stands For Go-Betweens: Volume 2 – 1985–1989 Domino
Uncut UK|January 2020
Australian indie ambassadors’ golden age showcased in opulent style.
Wyndham Wallace
The Go-Betweens - G Stands For Go-Betweens: Volume 2 – 1985–1989 Domino
IN 1982, like fellow Australians The Birthday Party before them, and A-ha the very same year, Brisbane’s The Go-Betweens relocated to London to seek wider fame and fortune. By 1985, with neither a “Release The Bats” nor a “Take On Me” to their name, both still eluded them. Their third album, 1984’s Spring Hill Fair, had disappointed group and critics alike, and as they formulated their next move, they found themselves instead hunting high and low for their fourth label.

What arrived over the next three years, however, cemented Robert Forster’s and Grant McLennan’s reputations, as this follow-up to 2015’s exhaustive look at the first years of their career demonstrates. With 129 tracks – three increasingly impeccable albums on vinyl, five CDs of demos and radio sessions, not to mention Fountains Of Youth, a spirited, hitherto unreleased 2LP live set – it provides detailed evidence of the band’s growing confidence and continuously refined songwriting (plus occasional missteps), culminating in what many consider one of the southern hemisphere’s finest albums, 1988’s 16 Lovers Lane.

Three years earlier, record companies had been wary. Some showed interest, of course, helping fund demos included​ here on The Devil Is In Your Dress, revealing McLennan’s dramatically vulnerable “In The Core Of A Flame” and Forster’s “Head Full Of Steam” as fully formed, if less glossy. Nonetheless, when they found a home, Elektra UK, the plug was pulled mid-sessions.

This story is from the January 2020 edition of Uncut UK.

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This story is from the January 2020 edition of Uncut UK.

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